Kristen Eggen
Professor Gabbard
ENL 6455
20 January 2010
Word Count: 429
In William Wycherley’s The Country Wife, much of the plot
pivots on Pinchwife and his underestimation of his new bride Margery, in
turn highlighting a stereotypical view of country people held by Londoners
in the play. This “country” status appears to be the sole reason Pinchwife
chooses to seek Margery for his bride; he has hopes that she will be more
ignorant and innocent than girls from his own background in London. In
speaking with Horner, Pinchwife says, “At least we are a little surer of the
breed there, know what her keeping has been, whether foiled or unsound” (1.
1. 411-413). The metonymy of “breed,” as a direct representation of his wife
as a mere animal, reveals the disrespect he carries for her and, one assumes,
all people from the country. Also noteworthy is his use of the phrase “a
little” when discussing the purity of his new wife. This is indicative of the high
level of distrust he feels for all women, though he is slightly more contented
with a wife from a country upbringing.
One is given the impression that Pinchwife’s status as a Londoner
grants him an arrogance in thinking it impossible to be tricked by a woman
who is from the country. He believes sincerely that “A fool cannot contrive
to make her husband a cuckold” (1. 1. 462-463), referencing his greatest fear
and paranoia throughout the play. It is partly this dismissive nature that
allows Margery to escape blame from writing two letters to her “gallant,”
Horner. Pinchwife is aware of her feelings for him but believes her to be
incapable of devising a plan that would injure his pride through an extra-
marital affair. Interestingly, throughout the play Margery seems to believe
the stereotype about the country while simultaneously defying it. While
struggling to create a plan that would veil her interest in Horner, she says,
“Can one have no shift? Ah, a London woman would have had a hundred
presently” (4. 2. 160-163). This is said in earnest by Margery, speaking her
mind while alone on stage. She believes a woman from London would be
quick-witted and clever, even though one finds that in the next lines in the
play Margery devises an ingenious plan to defy her husband and achieve her
own objectives. Margery similarly outwits Pinchwife on numerous
occasions throughout the play, exposing his gross misjudgments and false
stereotypes of her country upbringing.
Works Cited
Wycherley, William. The Country Wife. Ed. Ken Bush. Cambridge: Cambridge University Press, 1996.
January 27, 2010 at 7:53 pm |
Kristen, I thought Pinchwife’s view of women was equally humorous as it was offensive! You are right in asserting that his arrogance blinds him into becoming a fool who, to quote from your blog, thinks “it impossible to be tricked by a woman who is from the country”. Pinchwife, in fact, becomes the fool himself when he—on more than one occasion—gives Margery exactly the tools she needs to be with Horner. Not only does Pinchwife dress his wife up as a man—which of course only provokes Horner—he dictates what is supposed to be a rather rude letter to Horner and gives away the fellow’s name for Margery to know. Margery gleefully responds, “’For Mr. Horner.’—So, I am glad he has told me his name. Dear Mr. Horner! . . . I won’t send poor Mr. Horner such a letter . . . I should write a letter, and wrap it up like this, and write upon’t too” (Wycherley 159), so she can send him a love letter in disguise so her husband will continue to play his arrogant and foolish role. Thus, Pinchwife’s arrogance and stupidity is ironic, in the sense that his arrogant manner causes him to become the ultimate enabler. He enables Margery and Horner in nearly every step of their affair. Moreover, while Margery believes that she is a simple country wife without wit and smarts, she becomes crafty in order to see Horner again. However, in the final scene Margery’s honesty is portrayed as foolish when she truthfully tries to convince those around her that Horner is not a eunuch. I wonder, then, whether Margery is, as she and her husband think, a simple country wife without cleverness, or a cunning woman aided mostly by luck. The answer seems ambiguous, as are the morals of the rest of the play.
Works Cited
Wycherley, William. The Country Wife. Ed. Ken Bush. Cambridge: Cambridge University Press, 1996.
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